Marco Montiel-Soto, as traveller and immigrant, constantly finds himself returning forward. During these expeditions, the route becomes imaginary and travel time elastic. His work and installations are a creolization of architectural structures, collected found objects, sounds compositions, videos, photographs, drawings, collages, texts and maps. His work explores the intersections between political and poetic territories, homeland, traditions, economy, archaeology, religion, myths, death, cosmos and chaos.