Deborah Uhde develops essay films and mindscapes to explore how a 
dynamic consciousness emerges. To do this, she composes complex networks 
of often unstable and unpredictable relationships into which the viewer 
is drawn. The starting point is usually a research process or an 
irritating encounter. Here, she is interested in (auto-)biographical 
references, (historical/archival) documents or direct encounters that 
reveal systematic inadequacies - for example: the nuclear waste 
repository around the corner, the relationship with a colonially 
entangled ancestor or the search for art in the precision measuring 
agency. Her intention is to sharpen the sense of fragile relationships 
and interactions.