Catherine Nichols is a curator, writer and translator based in Berlin. She completed her doctorate in 2001 at the University of New South Wales, Sydney with a thesis on the interface of poetry and techno-science in the work of Hans Magnus Enzensberger. She has been curating both contem- porary art and thematic cultural history exhibitions since 2003, most recently Luther! 95 Treasures—95 People for the Stiftung Luthergedenkstätten, Wit- tenberg (2017). Her latest projects at the Nationalgalerie at the Hamburger Bahnhof, Berlin, where she has frequently collaborated with Eugen Blume, include Capital: Debt —Territory — Utopia (2016), The End of the 20th Century: The Best Is Yet to Come (2013) and Beuys: We Are the Revolution (2008). In 2012 she curated The Passions: A Drama in Five Acts (2012) for the Deutsches Hygiene-Museum Dresden, where she is currently preparing an exhibition on the sun (opening September 2018). Catherine has published widely on contemporary art and has co-edited numerous books and catalogues, such as Black Mountain: An Interdisciplinary Experiment, 1933–1957 (2015).